I’ve really been on a stockinette kick of late. This time, put to good use in a hat for Jason that I knit last fall. Cast on, worked k2,p2 rib for a bit, switched to stockinette, decreased in quarters. Not much more to say! The yarn spoke for itself—any stitch pattern seemed unnecessary with the lovely mottle that the Skeinny Dipping Yarn (in worsted) had.
His only requirement for knit hats is that they can cover his ears. I guess because he wears a hat every day as it is, the only reason to switch to a handknit is to get that extra coverage. I don’t think this hat is especially warm, but hopefully it’ll get some use.
Pretty much the moment I saw this hat from Purl Soho, I wanted to make it. I even knit a too-small version up in worsted-weight yarn. It was okay but something about the larger gauge and the colors I chose made it pretty meh. So when I was at Vogue Knitting LIVE in Chicago, I scouted the yarn a little with the hat in mind. Apple Yarns, from Washington, was selling Cedar House Yarns, which I’d never seen before. They were selling small skeins as well as full-size, and it seemed perfect to get a pairing that way.
I cast on and started on the flight home from Chicago on size 2s, which I had handy. Within a few rows I knew they were too big. Ultimately I ended up on 1s, which gave me a nice-looking gauge. I knit the adult woman size. Within a few rows I’d dropped a stitch—slippery yarn on metal needles, lots of stitches jammed together… I had to frog back several rows to fix it. This happened again a few rows later. And then again at least one more time before I finished the darn thing! Dropping a stitch in fisherman’s rib/brioche is an ordeal, let me tell you. I just could never figure out how to ladder it back up correctly.
But I persevered, and ended up with a squishy, super-warm hat!
I can wear it basically 4 ways, though I only shot it in 3 versions. I can wear it uncuffed with either side showing: the dominantly gray or the dominantly blue edge. Or I can cuff it up as more of a toque, again with either side of the cuff out. I managed to weave in the ends and clip them so tightly to the work that I don’t think they’re poking out anywhere (at least I can’t see them).
I look forward to the weather really getting cold, because this hat is so very warm! So far the fall had been incredibly mild (50s), so I don’t really need this one yet. But soon, I’ll be ready!
Andy Goldsworthy’s art piece Wood Line inspired me to post a picture to Instagram with the caption “sinuous.” The Spinster Slouch by my friend Val is also most aptly described with that word. I love the way the ribbing seems to dart this way and that on the hat—achieved by crossing 9 stitches at a time.
I grabbed this yarn—Malabrigo Arroyo in Regatta Blue—and cast on for the hat when I was on my way to the movies one Saturday. I worked on the ribbing on the subway and before the movie started, and then it was my go-to project for the week. The following Saturday I cast off, a finished hat in hand. I worked the cable crossings 4 times because I didn’t read the pattern closely enough and worked the first crossing too soon, and then I wanted the ribbing to be back to normal before I decreased for the crown (this would make sense if you were knitting it). Also with this yarn and needle combo (size 5 needles), it needed that extra length. I wanted a toque more than a slouch in any case, and my yarn was not nearly as drapey as the luxury blend of silk and yak that Val used in the original.
The hat proved quite useful on a trip to San Francisco, where despite the May date it was frigid at times (note my wool coat!), and particularly on this morning at the Presidio to visit Goldsworthy’s art pieces. (He has 3 others in the park; one was closed to the public because it was a weekday and we hadn’t called ahead, but the other two were easy to see.) Photos were taken by my old friend and professional photographer Andrea Ismert, who I got to spend the day with!
There are a lot of amazing hat patterns out there, from people who understand shaping and texture and all that. But somehow, I have not a single “normal” hat in the basket near the door. I have a little beaded slouch, and a great not-knitted store-bought fake-fur-lined hat that I rely on to get me through the coldest days, but I didn’t just have A HAT. One that I could pull on and just wear, no thinking. I wanted to knit it the same way—no frought process, no fussy stitch pattern. Just ahat.
It’s funny, I used to knit basically nothing but hats. When I rekindled my love of knitting in college, it was with a group that knit hats for the homeless. We knit all-stockinette hats with a curled brim or k1,p1 with a folded cuff, and I made a ton—for the group, family, and friends. But that was fifteen years ago, and I don’t know what happened to all the hats I’ve knit myself in the meantime. But all that changed last week!
This yarn, Primo Aran, was actually given to me by Plucky Knitter herself, when I bought some other yarn. She’d seen me holding this color for a while before deciding to go in a completely different direction. I had made it pretty clear that this was “my color,” and she insisted I take it with me. It was so so nice of her. Last fall I started a hat with it but I picked a pattern that didn’t exactly work with my gauge and stitch count, so I was fudging it as I went. I got into the decreases and it got confusing, so I set it aside.
When I picked it up two weeks ago, I had no idea what my intentions had been with the decreases. So I ripped, cast back on, and planned something simple and dead easy. I grabbed my size 8s, did a tubular cast on, rearranging the 96 stitches to a 2×2 rib, and worked that for 2 inches. then I switched to 2×2 garter rib. No increases after the ribbing, just the pattern shift. When I deemed it plenty long (longer than to be worn tight like a toque, but not too long as to be a giant slouchy thing) I decreased it away. I had a system at the time, one that I surely could not recreate, that involved decreasing evenly within the purls, then in the knits, then pulling it all together. But no matter: it’s a finished hat! A hat!
In the end, I started the hat on a Thursday and wove in the ends Friday night (after movie night with friends). I blocked it that weekend and the following Thursday, Pamela Wynne took these pictures of me on a cold, slightly snowy day on the Lower East Side. Easy-peasy.
How is it that two years in a row I declared it the “year of garment sewing,” but I have only one measly finished garment from 2014 to show? Oh well—maybe 2015 is the year? But even if I didn’t make much clothing (in fact, I had an epic failure of a Moss Mini Skirt), I have plenty of finished handmade goodness to show off! Much of it of course is still not blogged—how is it I resolve every year to blog more and then utterly neglect this space by the end of the year? Anyway, I scrolled through my Lightroom and mentally assessed my whole apartment and discovered I’d made a load of things this year!
Let’s talk knitting. Not much, it’s true, given the continued pain I have in my hands. My first magazine cover, though, which was a particular thrill! I wholeheartedly enjoyed knitting Stonecutter, but the more I think about it the more likely I am to give it to my mother, who will wear it proudly when I am likely to ignore it in my sweater drawer. Those squishy monsters are hopefully making some cute babies happy, and though I really didn’t like my Follow Your Arrow upon completion, I wear it regularly! That pillow needs blogging…
Boy did I sew more quilts than I thought I did. Three full-sized quilts: two for wedding presents, one for us. Two baby quilts (one yet to be blogged, that I’d like to make into a pattern if I could get my act together to do so). Three minis, a set of coasters, and I threw that one garment in here because it’s made of fabric. I’ve been spending the end of the year slashing through my stash, trying to make a dent in the bins that are full to bursting! I am looking forward to making lots more in the coming year, as I think i’ve really got the hang of this quilting thing now. A year ago I was feeling confident but still like a novice; at this point, I think I know my stuff. My technique for basting still needs some work, and as a result I need lots more practice quilting items, but I do think my entry-level sewing machine is at least partly to blame here. It’s time to start saving up for something bigger and better.
But what I hadn’t anticipated upon starting this look-back is just how much embroidery I did in 2014. I love how satisfying it is to complete a project; plus it’s so comparatively fast (not like knitting or quilting!). Some of these are the elaborate quilt labels I made, others were just to be framed on their own, and others were part of a group project—they’ll be incorporated into a quilt or wall hanging. My embroidery supplies are in a completely terrible jumble in a Ziploc bag because it seemed like a lark of a craft, but it seems I do it a lot more than I thought, so I ought to get that organized. Tucked in the corner there are two of the onesies I made for the baby shower of my friend; these are complete no-sew projects that are great activities for a shower!
I don’t think I can express more strongly how surprised I was at my turnout this year when I gathered all the photos together today. Before I figured out how much I’d knit, I started to write my paragraph about it and I could think of only two things off the top of my head. Then I started actually looking, and I found that I finished 9 things!? One of them a highly complex cabled sweater? Yeah, I knit quite a bit. How did I not crochet anything, though?
Here’s to more making in 2015! It’ll be a #yearofmaking!