After a childhood spent wanting to blend into the background as much as was humanly possible—plain, solid non-eye-catching clothing only, please—I’ve come to love color. I wear a lot of different colors, in defiance of the “New Yorkers only wear black” dictum (and heck, I’m not an orignal NYer anyway; I’ve “only” lived here 8 years!). Nearly all of my coats are a bold color. (Though all my clothing is generally still solid. Some things never change.)
But sometimes, goddammit, you just want a gray cardigan. Or a sweater that isn’t such a “statement.” So you start to opt for grays when you’re amassing yarn, whether in a sweater’s quantity or a single skein to contrast with a fun color (in all those two-color shawls, for example). You request a gray cardigan for Christmas (and get two). And then suddenly the next thing you know, all you seem to have is gray yarn on the needles.
There’s this, which got a teeny tiny pop of color as an embellishment the other day (and will be photographed in full soon).
There’s this, a sweater I started back in March but haven’t worked on since I changed back to knitting English to help my hand pain. This one was started Continental, and I feel as though I should only do it that way lest I have a visible tension change. I’m about 3 inches from done (THREE INCHES) but can’t seem to get back to it (also it hurts too much to work on). It’s going to be cute but kind of dressy, and I so rarely put on actual clothing these days that there’s no real impetus to get it done.
And there’s this one, which I’m knitting English specifically in response to the one above, and which I had knit a ton of before taking a hard look and realizing that I was knitting far tighter than I had on the swatch, and it was coming out super small. So I frogged and started over (while at the beach) and have been slowly slogging away at the stockinette ever since. I like having this one on hand, though, because it doesn’t require any thought at all.
But then I’ve got this sitting waiting to be seamed up—I should really take a break from all the gray and play with this loveliness!
This summer, family beach week is going to be a little quieter, because we’ll be missing a whole chunk of our family. They’ll be staying home, anticipating the birth of my cousin’s baby, the first of our next generation! So while I’ll be laying on the beach, catching crabs, and eating my fill of fried oysters, they’ll be putting the finishing touches on a nautical-themed bedroom for the little one.
And to go with that, I knit him a sweater.
Though our family is much more crab-oriented, I thought little whales and anchors would be more easily graphed; I charted out the band of them and put it on a slightly modified Child’s Placket Neck Pullover by Joelle Hoverson. I’ve knit this sweater before, and I know it comes together fast; this was helpful because it took 3 tries before this finally worked right. First I didn’t like the charted pattern—too spread out—and second it was gigantic (a friend with babies saw it and balked, then I looked at the measurements and that one was more like a 2 year old’s!). I did tweak the stitch counts of the sweater to fit my chart as well as the CYC-given measurements for a six month old. Now, I don’t know the first thing about babies, but it looks super small, so here’s hoping it’s a very cool fall in Georgia, because I’d been hoping he could wear it in the winter!
The yarn? Good ol’ Cascade 220. Sorry to my cousin: you’re going to have to hand-wash this garment.
I finished! I finished! And I can still type, grasp the pole in the subway, hold a book—and look good while I do it.
When last I wrote my hands ached and hurt so badly I didn’t even know what to do. I iced both wrists on and off for the rest of the evening and took as much Aleve as was possibly recommended. That night I slept with my only brace on, prioritizing my left hand, which is generally worse than my right. When I woke up in the morning it was better. Friends came over for brunch so I was cooking and using my hands differently. When we all sat down in the living room after we ate, I picked up the knitting and discovered that knitting wasn’t torture any longer!
I took it very slowly, and it was done later that afternoon. I could not believe it. It went into a tub of water and the new Soak scent, yuzu (so bright and springy!), and the sweater was blocking that night. A three-needle bind-off two days later, and I was ready for the Bridesmaids’ Luncheon the day before my cousin’s wedding! (Because I was doing a reading at the wedding, I was considered part of the bridal party.) Paired with a khaki skirt, pearls, and a sock bun, and I was feeling very appropriate for the event. The sweater was actually comfortably warm on what turned out to be a chilly, dreary day by the beach, and so soft. So soft!
Setting aside the pain, I really enjoyed knitting this. My only modification was to do another whole round of the increase chart to add both length and width. Thanks for cheering me on while I worked my way through the pattern! As a reminder/for posterity: Pattern is the Lace Batwing Top from Vogue Knitting Spring/Summer 2012, designed by Brooke Nico. I knit it in Artyarns’ Ensemble Light, the called-for yarn in the color it calls for, even!
It’s been a full month since I posted my swatch of the lace pattern in Brooke Nico’s Lace Batwing Top from the latest Vogue Knitting. And I’m pleased to report that I’m nearly finished! I thought I would be done by now but my hands are in incredibly bad shape, so I can’t knit for long periods anymore.
Turns out I love, love, love knitting this pattern though. The yarn (Artyarns Ensemble Light) is a dream to work with (50% cashmere, 50% silk: how could you go wrong?) and, best of all, it seems, to me, to work together perfectly with the needles I’m using (addi clicks) so the experience is nothing short of lovely. However, tiny needles and fussy lace (oh how I hate ou double decreases!) mean aching thumbs, wrists—basically my whole hands.
The pattern, which at first seemed so daunting, is nearly memorizable. The only thing I couldn’t be confident I’d remembered every row was how many stitches were at the edges, outside the repeat. A quick glance at the chart was all I’d need, though. Because I hoped to finish this quickly, I employed a few time-saving measures, such as wrapping the ssk stitches backward on the plain rows, so that they are sitting on the needles correctly when it comes time to decrease them.
As I type this I am taking a break from the sweater, but I’m about 10 rows shy of a completed front. I really really want to wear the sweater in a week at my cousin’s bridal luncheon, so I’ve got a deadline but I’m also trying to preserve the feeling in my hands! Wish me luck I can do both in the coming days.
Every year I resolve to post more WIPs, but I almost never do. This is the year, I swear! In fact, I swatched the other night so I ought to get some credit for that, right?
This is Brooke Nico‘s latest pattern in Vogue Knitting, the Lace Batwing Top, and I’m using the exact yarn called for—Artyarns Ensemble Light, in the same delicate blue color even. It’s been a long time since I knit any complicated lace, and whoa. The pattern has a long repeat, and while I bet I’ll eventually memorize it, well, it did not click for the short duration of the swatch. I’m going to have to employ some of those tried and true tricks for following a chart—a long Post-It should do just fine. But I’ll admit it’s kind of pleasant to be knitting something that’s actually mentally challenging as opposed to all the mind-numbing garter stitch I’ve knit of late! This one is going to take concentration.
Originally I thought I’d tweak the pattern—oh it would be so simple, I thought—by making the knits twisted. I thought it would give a little more depth, and I honestly love knitting twisted stitches. But then I started knitting it and I realized how foolish I was being. There are decreases, and much of the pattern is worked flat, and who am I kidding? That was overly complicating the lovely design, and was entirely unnecessary. I did make one small change, though: Instead of a sk2p for the double decrease, I’m doing a centered double decrease. It just seems slightly more elegant even if it’s a bit more fussy to execute.
Knitting this complicated lace, which is going to definitely mean slower going, is going to be completely rewarded by using this yarn. You guys. I actually said to Jason that I don’t know how I’ll go back to knitting with normal yarn again. Because 50% silk, 50% cashmere? This is the stuff. I’m going to go block the swatch to be thorough, but I can’t wait to get going on the knitting. Casting on for the ribbing asap!