After a childhood spent wanting to blend into the background as much as was humanly possible—plain, solid non-eye-catching clothing only, please—I’ve come to love color. I wear a lot of different colors, in defiance of the “New Yorkers only wear black” dictum (and heck, I’m not an orignal NYer anyway; I’ve “only” lived here 8 years!). Nearly all of my coats are a bold color. (Though all my clothing is generally still solid. Some things never change.)
But sometimes, goddammit, you just want a gray cardigan. Or a sweater that isn’t such a “statement.” So you start to opt for grays when you’re amassing yarn, whether in a sweater’s quantity or a single skein to contrast with a fun color (in all those two-color shawls, for example). You request a gray cardigan for Christmas (and get two). And then suddenly the next thing you know, all you seem to have is gray yarn on the needles.
There’s this, which got a teeny tiny pop of color as an embellishment the other day (and will be photographed in full soon).
There’s this, a sweater I started back in March but haven’t worked on since I changed back to knitting English to help my hand pain. This one was started Continental, and I feel as though I should only do it that way lest I have a visible tension change. I’m about 3 inches from done (THREE INCHES) but can’t seem to get back to it (also it hurts too much to work on). It’s going to be cute but kind of dressy, and I so rarely put on actual clothing these days that there’s no real impetus to get it done.
And there’s this one, which I’m knitting English specifically in response to the one above, and which I had knit a ton of before taking a hard look and realizing that I was knitting far tighter than I had on the swatch, and it was coming out super small. So I frogged and started over (while at the beach) and have been slowly slogging away at the stockinette ever since. I like having this one on hand, though, because it doesn’t require any thought at all.
But then I’ve got this sitting waiting to be seamed up—I should really take a break from all the gray and play with this loveliness!
I spent my holiday assembly-line cutting and chain-piecing a quilt I’d planned out ages ago. This is a gift so I can’t show anything yet, but I should be able to very soon! It’s all solids and I’m really happy with how it’s coming out, though I continue to have issues with basting: I was more careful and meticulous than ever, not stretching things too much but what I thought was just enough, only to be thwarted. The only fix I could come up with was to basically re-baste coming off each quilt line. I’ll get this down pat someday.
It’s been a full month since I posted my swatch of the lace pattern in Brooke Nico’s Lace Batwing Top from the latest Vogue Knitting. And I’m pleased to report that I’m nearly finished! I thought I would be done by now but my hands are in incredibly bad shape, so I can’t knit for long periods anymore.
Turns out I love, love, love knitting this pattern though. The yarn (Artyarns Ensemble Light) is a dream to work with (50% cashmere, 50% silk: how could you go wrong?) and, best of all, it seems, to me, to work together perfectly with the needles I’m using (addi clicks) so the experience is nothing short of lovely. However, tiny needles and fussy lace (oh how I hate ou double decreases!) mean aching thumbs, wrists—basically my whole hands.
The pattern, which at first seemed so daunting, is nearly memorizable. The only thing I couldn’t be confident I’d remembered every row was how many stitches were at the edges, outside the repeat. A quick glance at the chart was all I’d need, though. Because I hoped to finish this quickly, I employed a few time-saving measures, such as wrapping the ssk stitches backward on the plain rows, so that they are sitting on the needles correctly when it comes time to decrease them.
As I type this I am taking a break from the sweater, but I’m about 10 rows shy of a completed front. I really really want to wear the sweater in a week at my cousin’s bridal luncheon, so I’ve got a deadline but I’m also trying to preserve the feeling in my hands! Wish me luck I can do both in the coming days.
Every year I resolve to post more WIPs, but I almost never do. This is the year, I swear! In fact, I swatched the other night so I ought to get some credit for that, right?
This is Brooke Nico‘s latest pattern in Vogue Knitting, the Lace Batwing Top, and I’m using the exact yarn called for—Artyarns Ensemble Light, in the same delicate blue color even. It’s been a long time since I knit any complicated lace, and whoa. The pattern has a long repeat, and while I bet I’ll eventually memorize it, well, it did not click for the short duration of the swatch. I’m going to have to employ some of those tried and true tricks for following a chart—a long Post-It should do just fine. But I’ll admit it’s kind of pleasant to be knitting something that’s actually mentally challenging as opposed to all the mind-numbing garter stitch I’ve knit of late! This one is going to take concentration.
Originally I thought I’d tweak the pattern—oh it would be so simple, I thought—by making the knits twisted. I thought it would give a little more depth, and I honestly love knitting twisted stitches. But then I started knitting it and I realized how foolish I was being. There are decreases, and much of the pattern is worked flat, and who am I kidding? That was overly complicating the lovely design, and was entirely unnecessary. I did make one small change, though: Instead of a sk2p for the double decrease, I’m doing a centered double decrease. It just seems slightly more elegant even if it’s a bit more fussy to execute.
Knitting this complicated lace, which is going to definitely mean slower going, is going to be completely rewarded by using this yarn. You guys. I actually said to Jason that I don’t know how I’ll go back to knitting with normal yarn again. Because 50% silk, 50% cashmere? This is the stuff. I’m going to go block the swatch to be thorough, but I can’t wait to get going on the knitting. Casting on for the ribbing asap!