Looking for a cute decoration to make for winter? Thinking about your gift knitting? Might I suggest a perfectly lovely pattern designed by yours truly a few years ago, that I somehow never blogged about?
Little intarsia argyle mittens, all strung up. Mix and match colors for the hand, the diamond, and the criss-cross, or do it all uniform. They can teach you a bunch of different techniques if you haven’t tried them before, from ribbing, increases/decreases, intarsia, and duplicate stitch! Each one comes together fast, and they are so stinkin’ cute. I think they’d be adorable strung on a mantel, around a door, or if you celebrate with a Christmas tree, strung around that. Because they are actual complete mittens, you could make 24 of them and turn them into an advent calendar by tucking little treats or messages inside to open each day.
The originals were knit with Universal Yarn’s Deluxe Worsted Tweed, which comes in a range of really rich colors. The pattern is in 50 Knits for Year-Round Giving, and there are plenty of other projects in there that you might want to make in the coming months!
Some quilts hurt more than others to give away. Baby quilts, much as I love them, have no use for me personally so they can be given with no qualms. But full-size quilts could easily be incorporated into my life (in fact, the one for Patrick and Katie was finished long before I gave it to them, and I actually used it on the couch myself for… months (I washed it again before wrapping it!)). And this one, with so many different fabrics that have a tiny back story for me, well, it was hard to give it away to my cousin and new cousin-in-law to celebrate their wedding.
There are fabrics here that I used in Holly’s quilt, ones I bought while on vacation, some that were given to me by thoughtful friends, others that I particularly love for one reason or another . . . In sum: I love it.
I deliberately used two different khaki shades as the background fabric for the stars, to give it a vintage/scrappy sort of feel. I chose a color palette that was overall coordinated and sort of muted, with all colors represented. At the edges I got a chance to use some fabrics that I only had one square of from a charm pack—I’m particularly pleased with using one black-and-white print in the lower right corner. Something about having injected some actual black into this quilt makes me really satisfied.
The quilting actually goes in both diagonal directions, though now that I see it in pictures I see that one direction is far more dominant! I used different threads and I think one was heavier than the other. One was khaki/off white and the other was blue. Why? Because I had enough of each! I’m happy to report that the quilting went infinitely better than it has for me in recent quilts. I changed as many variables as possible: I spray glue-basted the backing (but for some reason pin-basted the front. don’t ask.). I remembered to put the more table surface thingy on my machine. I was sure to wear my quilting gloves. I used a superior brand of batting. I got no puckers when I went across the first parallel quilting lines—everything just sort of worked right out the gate! I look forward to doing it all again for a future quilt and seeing if I’ve solved my quilting issues.
The binding is pieced with two fabrics: both khaki backgrounds, one with circles and the other with small polka dots. The backing is a completely different neutral (with a very pink undertone—I didn’t think that would work on the front) with my “signature” stripe block.
The label, added after I took these pictures, has, I hope, special meaning to the bride, as I was inspired by a photo she posted online months ago. She went to a The xx concert and posted a picture of this quote, which was printed just like this on a pillowcase. I pulled the photo into Photoshop and resized it to what I wanted and traced it onto the fabric. I thought the sentiment was beautifully appropriate for a wedding gift, right? In case you can’t read it, it says “Being as in love with you as I am.” I know nothing about music, though (The xx… who?), so I had to Google this phrase to even know what song it was from. I added the date of their wedding and a little “love, Erin” to complete the label. It was stitched with black perle cotton on a piece of Kona that I, um, not too precisely folded into a “square” before affixing it. I put it in the lower right corner; the picture on the right below might give you a sense for where it is.
I wrapped it up in a simple ribbon and brought it with me to the wedding, and I was sorely tempted to tear it open and wrap up in it when the temperature dropped after the sun set! If I’d done so, I may well have just left with it. Instead I’m going to have to plan a quilt like this for myself.
It was my friend Beth’s birthday, and never did you meet a more loyal Vermonter. She goes home whenever she can, but I figured she could use a little reminder when she’s in New York, too.
So I embroidered her a little Vermont, with a heart over her hometown. It was a simple little stitching project, but I must say this is the best satin stitch I’ve ever achieved! I carefully outlined the water first, then worked the satin stitch over that boundary. I suppose I’ve seen that that is the “correct” way to do it but I confess I haven’t always. I held the floss double for it but it didn’t need a lot of passes to look really filled in. I freehanded the heart and it came out pretty good, too. The frame is 3×5, and I sized the state’s outline to fit within that dimension.
Pardon me while I gush over the cuteness I have brought into the world. Yeah yeah yeah someone had an adorable baby and it’s a miracle, new life, perfect boy—LOOK AT THE CUTENESS HERE. Rebecca Danger‘s adorable pattern for Daphne and Delilah the Momma and Baby Monster is so simple, so mindless, and yet pays off such rewards!
I used Plymouth Yarn’s Baby Alpaca Grande Tweed (full disclosure: I, ahem, took this yarn home with me after we shot it for the Yarn Market News cover with the owls. So yeah, I got it free but it’s not like they expected me to knit with it), which I am currently obsessed with for baby toys. It is SO squishy and soft, and being bulky it knits up fast and makes things satisfyingly large. I used it for the hedgehogs, but have so much remaining that I also used it with this pair. I don’t really know how big this was supposed to be, but Mama came in at 12 inches tall and her baby is 5.5 inches tall. I embellished the pocket just a touch, with a little free-hand surface crocheted heart out of Mrs. Crosby Carpet Bag yarn. I love its luster and shine.
I crocheted the little black eye discs out of Universal Yarns’ crochet thread, and on Mama I added some white to simulate button eyes. I know baby toys shouldn’t have buttons for risk of choking but I’m telling you, a baby who puts this alpaca in his mouth is going to be in for a rude surprise! Best to hug it and squish it and use it as a pillow, I think.
It’s going to be hard to pack these two up in a box and ship them out, but the baby is here early so I need to get on this! Expect to see more monsters from me—I’ve got a copy of The Big Book of Knitted Monsters, and I’m not afraid to use it!
After a childhood spent wanting to blend into the background as much as was humanly possible—plain, solid non-eye-catching clothing only, please—I’ve come to love color. I wear a lot of different colors, in defiance of the “New Yorkers only wear black” dictum (and heck, I’m not an orignal NYer anyway; I’ve “only” lived here 8 years!). Nearly all of my coats are a bold color. (Though all my clothing is generally still solid. Some things never change.)
But sometimes, goddammit, you just want a gray cardigan. Or a sweater that isn’t such a “statement.” So you start to opt for grays when you’re amassing yarn, whether in a sweater’s quantity or a single skein to contrast with a fun color (in all those two-color shawls, for example). You request a gray cardigan for Christmas (and get two). And then suddenly the next thing you know, all you seem to have is gray yarn on the needles.
There’s this, which got a teeny tiny pop of color as an embellishment the other day (and will be photographed in full soon).
There’s this, a sweater I started back in March but haven’t worked on since I changed back to knitting English to help my hand pain. This one was started Continental, and I feel as though I should only do it that way lest I have a visible tension change. I’m about 3 inches from done (THREE INCHES) but can’t seem to get back to it (also it hurts too much to work on). It’s going to be cute but kind of dressy, and I so rarely put on actual clothing these days that there’s no real impetus to get it done.
And there’s this one, which I’m knitting English specifically in response to the one above, and which I had knit a ton of before taking a hard look and realizing that I was knitting far tighter than I had on the swatch, and it was coming out super small. So I frogged and started over (while at the beach) and have been slowly slogging away at the stockinette ever since. I like having this one on hand, though, because it doesn’t require any thought at all.
But then I’ve got this sitting waiting to be seamed up—I should really take a break from all the gray and play with this loveliness!