I made a Honey Cowl too! After several people suggested it to me when I asked for pattern ideas for worsted-weight yarn, I jumped on the bandwagon.
The yarn is Cascade 220 Superwash, and I actually took advantage of that by hand washing it and then throwing it in the dryer (because wet-blocking makes it grow to at least double the size!). I checked on it every five minutes for the first fifteen but then grew tired of sitting in my apartment building’s basement, so I went upstairs for the last 30 minutes and left it to its own devices; when it came out it had juuust started to slightly felt to itself, but it was easily pulled apart. Phew! I’m ridiculous, aren’t I? I started out so cautious but then got lazy—I’m super lucky it worked out in the end. Putting it in the dryer got it back down to the original size and firmed it up a lot, which is what I wanted. I love the color; the slight heathering gives it a lot of depth.
It was knit for my friend Allison, who works in our industry but doesn’t knit (yet) and didn’t have any handknit items! The honey cowl was an easy, mindless knit, great for knitting on the subway—it would be ideal for group knitting, too, because you’d be unlikely to mess it up. But it didn’t capture me the way it has for so many people (I won’t make the pattern again, that is). I also couldn’t bear to go the full 11 inches in height; I quit at about 9. She likes it just fine, though!
When I bound off my Color Affection the other day, I did it with loathing. I had been working on this pattern since March of last year. Every row was a small torture—the final length is something like 7 feet long!! Now that it’s done, though, I must objectively admire its beauty. The colors are just what I wanted.
But I’m ambivalent. It’s a million miles long, so it can be wrapped around and around, which I like to do with scarves, but it’s unwieldy. I don’t understand how to wrap it successfully like a shawl. What have I done??
I kind of can’t believe I knit something so enormous; it’s no surprise it took so long. I know I went too far with the first color and decided not to rip, so I actually made it longer than the pattern expects. Despite my lack of affection for it, I’ll tell you that I saw so many Color Affections in the aisles of the Vogue Knitting LIVE Marketplace this past weekend, and every time I did I thought to myself “I made that too!” It made me feel as if we were all in some club, like those who’ve climbed Mt. Everest or survived a harrowing experience together. We’re the war-worn, the triumphant, the ones who made it to the end. And for that, I do feel pride and kinship. (Don’t even tell me how much you adored knitting it and disagree with it being a torture, ok? Let me pretend we all feel the same way.)
Details: Light gray is Hazel Knits Artisan Sock yarn, which I bought at Twisted in Portland. Dark gray is Periwinkle Sheep sock from Rhinebeck, always my first stop at New York Sheep & Wool. Green is Sweet Georgia Tough Love Sock that Felicia kindly gave to me when I told her my whole whiny story about choosing a third color (my first color, a mustard yellow, turned bumblebee with the grays and I hated the look, so I frogged). I used a size 6 needle (though I wish I’d used 5s). This was technically cast on in June; the one I started in March did not use any of the recommended methods you’ll find on Rav to make the edges looser (ultimately I wrapped the first stitch twice, which made a huge positive difference), and I was unhappy with the color. So it took about six months in all, with a ton of breaks.
Photos taken by the fantastic Kriegs, on a walk we took down to the Verrazano Bridge to see—or, rather, not see—it in the fog.
We spent the day on a snowy Christmas Eve with my friends and their kids, so in the days before I knit the kiddos hats–the pattern is called Poppy!
They are the speediest knits and so adorable. I love Aviatrix, by the same designer, but the chin strap is an ever-so-small pain to make, so Poppy is right up my alley. I didn’t even bother with the provisional cast-on, I just picked up the stitches over it. For Eleanor’s, I used a skein of Noro leftover from the mittens I made for Pam. For Henry, I honestly have no idea what the yarn is; I found it in the free bin at the office. It’s blue. Each one took less than two hours to make, but the response was worth even more than that!
Two little kids given hats who don’t take them off for the entire duration of the visit? Unheard of.
I didn’t know Karrie, KnitPurlGurl. But enough people that I know did, so I heard about her death just after Thanksgiving this year. I don’t know how she died or anything about it, but it seems that it was sudden, and it’s clear that she was young and vibrant and that her loss will affect many in our online community. We might interact on a virtual plane, but the effects are very real, and I know all of our Real Lives are enriched by each other.
So when her fans suggested people knit or crochet a snowflake to send to her family, to complete the handmade snowflake mission that Karrie had been on, well, I wanted to participate, too. I’m proud to be part of this online community that cares so deeply about our members. And I wish you all a healthy and happy holiday season.
This year, to increase the Christmas joy in our apartment, we got a real tree! This was a first for me in New York City and actually Jason’s first real tree ever. So I decided to make it a very special tree skirt. It’s just a large hexagon with one side unattached and the center cut out; each wedge of the hexagon is made up of equilateral triangles. I didn’t put this together as a tutorial but it’s pretty straightforward: I made each triangle 8 inches tall (I mastered using my long ruler’s angled markings!), and each wedge has 4 rows of triangles. I should have cut off more to make the hole larger, but live and learn! The end result is a large skirt, with a diameter around 5.5 feet—plenty of room for presents!
Between each wedge I did a small bit of welting in Kona Snow; I wanted some kind of border but didn’t want to fuss with piping. The backing is more Kona Snow, with the idea that its austere whiteness could go with a more demure tree in the future. I did use batting between the layers to give it a bit more substance and weight. The quilting lines radiate out from the center in alternating Christmassy green and red thread, which look fun on the white background, too.
I machine-stitched the binding entirely. The binding was cut on the bias but I mitered most of the corners and angles in the end. Still, it helped me get around the center of the skirt and was a technique I hadn’t done before. I used this tutorial‘s methods even though I was a bit suspicious of that last cut angle. I am not sure I would do it again this way—that last cut really isn’t precise enough—but wow it was simple!
I finished just in time for us to buy the tree and get it decorated! See more pics of our decorated tree plus a funny little video of our tree-trimming here!