At long last, I have made a quilt intended to live on my own couch. I have one other quilt, my beloved KBeeC quilt, but that is large and sometimes we just want a little something on the couch.
I used the templates provided by Sing All You Want for the Arrow Tail quilt, but instead of matching each row I offset every other. I grabbed all shades of aqua, yellow, and gray; many of the fabrics in here are the last bits of some of my very favorites.
Once I finished the quilt top—a straightforward affair, though I am not in love with matching up angled pieces—I decided to keep all the scraps out and work with them to make up the backing. I cut squares and built some improv/wonky log cabins. It was a lovely, mindless sort of piecing and everything came together so nicely. In fact, it seemed easier and more satisfying than the front, where it was so much more structured.
Ultimately I took a ton of the small remaining triangle-shaped scraps and made those into HSTs that will appear in a different quilt, so I worked with 8 log cabinsto build the backing. I didn’t plan this out carefully at all (the 8 squares didn’t actually match up with the width or height of the front) and I love love love it.
I quilted it with wavy quilting lines, because that’s about all I can handle—my straight lines look wavy, too, so I might as well go for it. I bound it using the machine entirely; this was the first time I’d done that. The front looks really sharp and neat! I’m pretty pleased with how that came out. The seam line for the binding, though, is not flush with the fold from the first fold/seam of the binding, and that makes it more visible. (It’s about an eighth of an inch in from the edge of the binding.) But it’s really even the whole way around, so I don’t really care.
Some quilts hurt more than others to give away. Baby quilts, much as I love them, have no use for me personally so they can be given with no qualms. But full-size quilts could easily be incorporated into my life (in fact, the one for Patrick and Katie was finished long before I gave it to them, and I actually used it on the couch myself for… months (I washed it again before wrapping it!)). And this one, with so many different fabrics that have a tiny back story for me, well, it was hard to give it away to my cousin and new cousin-in-law to celebrate their wedding.
There are fabrics here that I used in Holly’s quilt, ones I bought while on vacation, some that were given to me by thoughtful friends, others that I particularly love for one reason or another . . . In sum: I love it.
I deliberately used two different khaki shades as the background fabric for the stars, to give it a vintage/scrappy sort of feel. I chose a color palette that was overall coordinated and sort of muted, with all colors represented. At the edges I got a chance to use some fabrics that I only had one square of from a charm pack—I’m particularly pleased with using one black-and-white print in the lower right corner. Something about having injected some actual black into this quilt makes me really satisfied.
The quilting actually goes in both diagonal directions, though now that I see it in pictures I see that one direction is far more dominant! I used different threads and I think one was heavier than the other. One was khaki/off white and the other was blue. Why? Because I had enough of each! I’m happy to report that the quilting went infinitely better than it has for me in recent quilts. I changed as many variables as possible: I spray glue-basted the backing (but for some reason pin-basted the front. don’t ask.). I remembered to put the more table surface thingy on my machine. I was sure to wear my quilting gloves. I used a superior brand of batting. I got no puckers when I went across the first parallel quilting lines—everything just sort of worked right out the gate! I look forward to doing it all again for a future quilt and seeing if I’ve solved my quilting issues.
The binding is pieced with two fabrics: both khaki backgrounds, one with circles and the other with small polka dots. The backing is a completely different neutral (with a very pink undertone—I didn’t think that would work on the front) with my “signature” stripe block.
The label, added after I took these pictures, has, I hope, special meaning to the bride, as I was inspired by a photo she posted online months ago. She went to a The xx concert and posted a picture of this quote, which was printed just like this on a pillowcase. I pulled the photo into Photoshop and resized it to what I wanted and traced it onto the fabric. I thought the sentiment was beautifully appropriate for a wedding gift, right? In case you can’t read it, it says “Being as in love with you as I am.” I know nothing about music, though (The xx… who?), so I had to Google this phrase to even know what song it was from. I added the date of their wedding and a little “love, Erin” to complete the label. It was stitched with black perle cotton on a piece of Kona that I, um, not too precisely folded into a “square” before affixing it. I put it in the lower right corner; the picture on the right below might give you a sense for where it is.
I wrapped it up in a simple ribbon and brought it with me to the wedding, and I was sorely tempted to tear it open and wrap up in it when the temperature dropped after the sun set! If I’d done so, I may well have just left with it. Instead I’m going to have to plan a quilt like this for myself.
There’s no denying that Pinterest has helped me as a sewer. With no central location like Ravelry to go to, it’s hard to see a lot of quilts or garments in one place to gather inspiration and ideas. My “Quilty Inspiration” board is one of my favorites to revisit. I can see trends in my own liking (I started out loving on total rainbow quilts, have moved to different palettes lately), and I can also see that there are certain blocks/quilts that are executed in ways that I prefer over others using the same basic design. Sometimes it’s really easy to see what I like about one execution over another (modern color combinations, say). Sometimes it’s easy to see but hard to know how to execute (some kaleidoscope quilts work SO WELL and others don’t; I know it’s about the tone of the fabrics but picking fabrics to do it seems intimidating). For granny squares, I seemed to like a certain type and not others. What was the defining characteristic, I wondered.
It was the outer ring’s paleness/quantity of white. I liked the quilts best when the granny was treated as a series of concentric rings, and when the outer ring’s contrast with the background fabric wasn’t overly stark, whether because of the high quantity of white or the color of the square. This gave those quilts a sort of “instant vintage” quality, and I definitely wanted that for this baby quilt. So I set about making a bunch those kinds of blocks myself. It wasn’t super easy (and I’m sure you’re all eyeing that block in the lower left and saying ‘hmmmm you didn’t want a stark contrast, you say?’ Whatever, it can’t be EXACT.) but it was a fun exercise. I used up a decent amount of scraps to make it, too, which was satisfying. It also used up every last inch of Kona Snow I had in my stash. In fact, the outer ring of sashing is a white cotton batiste I used as a lining in my Cambie dress; the difference is more tactile than anything and I’m totally fine with that because I was NOT going to buy more fabric just to finish this top! The colors I chose are gender neutral by design, with a mix of all the colors of the rainbow—but all generally softer, more baby.
Because my ability to successfully baste has left me, despite all the best precautions (I starched the top this time! It was suuuper flat!), I wasn’t keen on too much machine quilting. I just did some machine passes in the sashing to get it all held together, and then I hand-quilted around each motif and the center square. I picked hand-quilting colors based on the colors in the blocks, and had a lot of fun doing that part. I still need more practice to be good at hand quilting but in some ways I like the truly handmade look of it.
Backing is a whole piece of fabric in a fun polka dot—I like when a quilt is small enough to be ale to do that! (And I’m really happy to be slashing up my stash so expertly.) The binding is a cheerful Kona yellow (not sure which shade). The label was just hand-written with washable marker and then stitched in some black perle cotton. I love that it’s my own handwriting (OK, a stitched version of my handwriting, so it’s a little weird but pretty close) and says nothing more than what I mean. I am so happy for my friends who are expecting this little one, and can’t wait to be Aunt Erin to their kid, even if from afar (they live across the country from me).
I mailed this quilt (via just USPS, what was I thinking! I should have gotten tracking info!) so it would arrive in time for the baby shower; happily the host of the shower tells me it arrived safe and sound. Yesterday was the shower, so I think I can safely post these pictures today!
Last weekend, my knitting best friends and I got together for another weekend away. This was the tenth time we’ve done it! It’s only the fifth time we’ve swapped something—and this round, a crafter’s choice, I got to make for JulieFrick! Because it was our tenth meetup, I chose to make a big “X” mini quilt, in colors that I thought she would like. Well, I thought she would like them after we created a spreadsheet to note favorite colors, and she specified “I like most all colors when they’re a bit “off” of their standard rainbow-bright versions.” This required some serious stash-digging, because when I stopped to think about it, I like colors specifically when they are bright!
It’s just a basic string quilt, but I did it as a quilt as you go, using wavy quilting lines (I neglected to take a close-up shot). This was the first time I’d made an actual quilt using QAYG, so the backing part was a stumbling block. (Every other QAYG I’ve done was a pillow top.) I decided to do a whole cloth backing and stitch in the ditch along the “X” to hold it all together. We liked its flatness so opted not to wash it. The binding is a slightly darker shade of the stone color I used for the X (both Kona cottons, from fat quarter packs, so I have no idea what the color names are).
I decided the piece needed a really great label to commemorate the occasion. I designed this in Photoshop using various fonts, which I then traced onto some Kona and stitched using embroidery floss. “Celebrate” probably could have used a bit of a different treatment, but it feels pretty festive! It was fun to stitch it up. When I have the time to devote to the label, I am always happy with the results. I should start planning the labels first!
I love that I got to give this to Julie in person. She’s one of the most interesting and passionate people I know—I learn so much about how to be a better person from Julie. She makes amazing jams and other preserves, can knit and crochet anything she wants, and works tirelessly in service for the good of the world. How lucky am I to be her friend! I feel that way about every one of these women, actually: They’re my people. I learn from them, maybe I help them learn some things, and I trust them implicitly. We spend these weekends eating amazing meals, knitting/crocheting/stitching, and sharing deep—and truly shallow—conversations (this time, while bobbing in the pool). We are already planning our 11th weekend away, and I cannot wait.
Just in under the wire! I wasn’t going to join in on the Blogger’s Quilt Festival this time around, but when I mailed the Plus Quilt to my cousin I asked if he’d be sure to take a picture of him and his now-wife with it. I expected, I don’t know, just a cell phone shot at arm’s length. Nothing crazy. But I should have known—we are related, after all—that he’d make this something awesome.
Turns out they took it with them to the place where he proposed to her (with the tree)! It’s a park in St. Louis—he did not tell me where. How cute are they to have done that. And then they went with it on to a baseball game where the temps were nippy, and they were able to take a pic with the Arch in the background (below). How awesome is that?!
Info about the quilt is more detailed here, but it’s a really straightforward quilt. Blues and greens on their request, and cut so that I had a long bar of a plus and the two small squares, rather than all individual squares. My favorite part is probably the quilt label, which I made after being inspired by the latest chalkboard-writing craze. It was fun to design that and get it stitched up, and I was proud that I finally took the time to make a proper label. It’s that last detail and I tend to not give it the proper attention. Kind of like buttons on a cardigan or something—I just want it done already, why do I have to bother with these bits!?
Anyway, the quilt came together quickly, and as you can see it’s very large (Patrick is like 6’3″ or something). I’d definitely do another plus; it’s such a perfect motif for a wedding quilt and allows for so much variation and play with patterns. I’ll submit this to the Modern Quilt category!