A few months ago I got this idea in my head, and it’s been swirling around ever since. “Primary intersections,” I labeled the folder, and I sketched out some variations. Even though I have other crafting deadlines looming, this weekend I set to making them real.
I’m so pleased with these little rainbows! Someday, when I have an actual crafting space in my home, I’ll hang them up in there. And I can definitely see myself scaling the designs up and making them larger, maybe with all solids in a single palette (all greens, for instance).
All strips were cut 2 inches wide, and the finished tops are right about 20 inches square. I did all the cutting first, making the sewing very speedy. Both mini quilt tops were finished in less than a day, once I had the fabrics selected. The solids are all Kona cotton, of course; the background is Kona Snow. Next up, sandwiching them and finishing them up; will they be the ground on which I practice free motion quilting finally?
I predict that I will be making more quilts like this in the future. Actually, I know for sure that I am because I had mentally planned something like this but decided to try it out first using fabric I had on hand instead of the fabric bought specifically for that quilt. So basically, this is just a little test that turned out super awesome and I’m thrilled with the result!
I’d never made a Dresden Plate before, but a friend alerted me to the Salt Lake City Quilting Guild’s EZ Dresden Plate Challenge. So many cool things were made in their blog tour! This one spoke to me, and I decided to play with the shapes in addition to making it bigger so that it was a baby-sized quilt. It came together even faster than I thought it would using fabric from the Kona Poseidon pack (I’m getting so much use out of that pack!). I used the Dresden ruler as a guide to make blades that were 10 inches long (instead of the normal 8 inches). This makes the whole motif 24 inches in diameter. I think I want to go even bigger next time. I also used a tip I read about folding down the edges before seaming the blades together, but that was not the best idea because it’s super obvious when it doesn’t line up right, and the pressed seams are actually visible peeking up along the outside edge. The inner circle would probably benefit from a circle patch but I am not sure how to proceed there. The whole plate was sewn down with a straight stitch, but then I realized that I needed to deal with the little peeking corners, so I did a zizzag all the way around, which “captures” those little spots and solves that problem even if it’s not the most elegant solution visibly. I quilted it using concentric circles outside the plate (increasing in diameter by half an inch with each round) and traced the long spokes on the motif.
The pieced binding was more than a little tedious: Why did I make each length so short?! There was so much sewing involved, and there was no way to place it so that a color change didn’t hit a corner. Still, it worked out nicely and I like the look. The backing is a single piece of fabric that I thought coordinated and kept the whole quilt feeling fun.
I wish it could qualify for the Dresden Plate Challenge! When I made this I didn’t realize that their size limitations meant a 36″ quilt is out of the running. Still, it was fun to make and I’ll be making another soon, I’m sure. Today my coworker and I snuck up onto the roof of our office for the photo shoot (her nail polish even matched!). You can see the Chrysler Building off to the left in the one above, and the Williamsburg Bridge off in the distance. Oh, how I love New York.
I got it in my head to make quilts as wedding presents for my two cousins getting married last summer, despite not having any idea what kind of decor they have in their homes, or even, really, their taste. Would they like them? Or would they get shoved in a closet, only to be pulled out when a guest was in town or something. I was most unsure about my cousin Michael and his wife, Heather, because though we spend a week together every year down the shore, I really had no idea what they would think.
Well, they loved it and I am so relieved! Because we’re at a beach house, Heather immediately took it to her bed. (We take whatever beds we can get in this house, hence her single bed.)
The palette of mustards, grays, and blues was chosen for its sort of masculinity and its modernity, and log cabins were chosen for their traditionality. I think the combination worked well! All the center squares were given to me by JulieFrick, who cut me a little “charm pack” of her own fabrics when I said I needed more mustards. I worked concentric squares until each square measured 15 x 15, and then sashed all of them with the blue. I knew I couldn’t really make it all that much bigger without making more blocks, but I tried my best, because Michael and Heather are both so tall! (Both were basketball players in college.) The quilt finished up at 70 x 70. Wavy quilting lines and Kona butercup for the binding finished it off.
I pieced the back in the same way I pieced my other cousin’s quilt. I like the look, plus I sort of liked the idea of this being my signature backing for wedding gifts? Maybe? We’ll see what happens when a third couple gets hitched and I plan the back! Without real time to embroider and affix a label, I used a pen to personalize it. Since it took me more than a year to make (I started it before their wedding, but only finished it up shy of their one-year anniversary), I put the years that it was created. I hope they get many more years of comfort with it!
Yesterday I finally—finally, as this blanket was begun 2 years ago!—debuted a picnic blanket that was made for me by friends, using materials bought with friends, and that will probably always be used in the company of friends!
Two summers ago, Andréa and a few others of us got to talking on Twitter about having our own bee. There’d been a handful of bees amongst knitbloggers already, but this one brought together a new group of crafty folk—some experienced quilters and some novices. My month was right in the middle, and I chose the disappearing 9-patch. On a trip to the burbs with fellow city friends (periodic visits to big box stores are crucial for city survival! And the Santa Fe Salad at the Cheesecake Factory, about the only thing that I truly love about the suburbs), we hit a Joann’s during a 99-cent fat quarters sale, so I stocked up on yellows and oranges with this project in mind. I invited my bee-mates to add their own fabrics (in oranges/reds/yellows, of course) but one rule had to be followed: The center square in the 9-patch had to be in the provided Kona Snow. This way every block would end up with four small white squares. But I wasn’t picky about how the patches were rotated and sewn together (however, any ones that came in with the same fabric next to itself were picked apart and tacked onto another square).
When I distributed the blocks I worked to keep the red squares scattered around. I sewed lots more squares to fill out the blanket—it can seat 2–3 people comfortably. I finished the top about 8 months after my bee month, but there it sat while I figured out the backing. I wanted waterproof, or something like it, and wasn’t sure how best to accomplish it. Then while in Boulder for a dear friend’s wedding, in line at a hardware store for sunscreen, I turned and saw large bolts of oilcloth for some amazingly low price (I think less than $2 a yard?). A yellow with green plaid lines seemed to be the right choice, so I bought several yards and smashed it into my suitcase. But I only finally got around to putting it all together a few weeks ago.
I didn’t put any batting between the top and backing—I figured, whatever padding I’d put in wouldn’t be any match against a rock, and I certainly wasn’t seeking warmth. But I did quilt the two together, just to be sure there wouldn’t be any shifting. I went on the diagonal in each direction. Stitching on the oilcloth was so easy! It moved through the machine just fine, and I had it all quilted in no time. I used another orange fabric as the binding, and machine sewed it down. This was my first time using the machine, and while it wasn’t a perfect job, it definitely did the trick; I was pleased with how successful it was!
While sewing down the binding I added two ties so that I could roll the blanket up and tie it shut. Ingenious, I think! This weekend I got to use the blanket at the Big Apple BBQ. Five friends and I sampled some amazing meats on the lawn at Madison Square Park and relaxed on our blankets—it was perfect! This was my fourth visit to the BABBQ but my first with a truly wonderful blanket to sit on. So big thanks to Sara, Nova, Sarah, Chawne, Kate, Stacey, Danielle, Carrie, Andréa, JulieFrick, and Caro for your contributions to my summer of fun with friends! I love that I can have my friends with me in so many ways. Just do not spill anything on my quilt, or I’m never hanging out with you again. You’ve been warned!
Well whaddaya know, there’s a whole quilt-blogger thing going on right now. I’ve been a knitblogger for just shy of 7 years, but I’m only just now really starting to quilt. I’ve been adding quilt blog after quilt blog to my blogroll, and suddenly everyone I follow is participating in the Blogger’s Quilt Festival, an amazing community event put on by Amy! I want in, too! I’ve found a bunch of great quilting blogs, and this will be a great way to find more. While this space will always be a healthy mix of knitting/crocheting/quilting/eating/photography, I hope there’s something that other quilters will enjoy, too. I feel badly that I’ll just be featuring the quilt from the previous post, but my current stance is that my most favorite quilt is always the one I just made, so how can I resist? I’ll show a few different photos of it, though.
(the top, pre-quilting—despite the fold creases, the best pic I have of the top)
In my last post I was awfully cursory in details about the quilt, so this gives me an opportunity to share a little more about it. The truth is, this quilt was inspired by a crocheted blanket! I used to work at a crochet magazine, and we had a folder full of “swipe”—images pulled from vintage pattern books, etc., to use as inspiration. This one, from some anonymous old pattern book, was never used in any of our crochet designs. The blanket in that photo (which I can no longer find) was made of just three colors, and it was honestly hideous, in red, blue, and white. Somehow, though, it did not strike a patriotic air. Just a mismatched, sad one. But it gave this optical-illusion of depth and the idea got into my head as perfect for a quilt.
I toyed with making the quilt solely out of 3 colors, like in the original, but I had that Poseidon pack of fat quarters, and it seemed a good way to make use of it. I thought I could eke out all the squares with just fat quarters and my large stash of Kona Snow, and I came so very close, but the secondary color in each of the outside two rounds of squares needed more fabric. I started this quilt in the summer of 2010, during my friend JulieFrick’s “60 Blocks of Summer” challenge—for which I was successful only because of these little squares! But then I stalled, and didn’t pick it back up again until one week before the quilt was given to my friend’s sixteen-month-old. Each block measures 6 x 6 finished. The final quilt is 7 squares wide by 9 squares high, so it comes in at around 42 x 54. That’s actually pretty big, in my opinion, for a kid’s quilt, and if I were to use this design again (and that’s highly likely), I’d make the darker center just two squares high.
Since finishing this quilt, I’ve sketched out other configurations. I know they’re not rocket science or anything, but it was helpful for me to see this visually, to be able to make it small and see what it will look like from afar. My boyfriend and I want one for our living room (likely in shades of green, hence the colors in my sketch—obviously, not nuanced at all here, just something to get the effect), and I’m not sure exactly how I want to make it larger, whether just more squares or to actually increase the size of the finished squares to 8 x 8 or something. I was highly systematic in the measurements of the first (the way the center square steps down and the outer ring steps up is by a quarter inch each time), and changing the final dimension might not allow me quite the same perfect finesse.
Stay tuned for more variations! See all my photos of the quilt, including more of the backing and the label, in my original post.